My Work in Progress

A sketchblog where I post a few of my scribbles from a variety of works-in-progress, usually from my rather random personal creativity outside of the daily grind. I occasionally, but not always, post the final artwork.

2/20/2013

Dragon World in-progress

The ArtOrder group run by WoTC art director, Jon Schindehette, has a new challenge up that I couldn't resist developing some concepts for -- dragons!  But there's a little more to it than that:
 

Quote:
"
Today, I’m going to listen to the call of the community. A dragon challenge has been the number one requested challenge for years. I’ve always begged off, because I haven’t been able to come up with a challenge that befitted them. I mean, I could have just done a challenge where I said, “draw a really cool dragon”, but that is kinda lame, and judging that type of challenge can be difficult. One person’s cool dragon is another persons cliche. So today's challenge is going to have a spin…
 

If you look around our mundane earth, you will see dragons worked into everyday culture all over the place. They can be found in tattoos, clothing, architecture, art, and so many other places…and yet, dragons do not actually exist in our world. When I look at so many of the worlds in the fantasy genre, I can see dragons flying around, but I don’t often see them reflected in the cultures. Why is that?
 
This months challenge takes an iconic figure in the fantasy genre, and adds a layer of complexity.

 
The Dragon – Create a cool dragon and show me that you know dragons. Show me the emotional resonance that comes with a dragon. Capture the “essence” of a dragon, and breath some life into it.

 
The World – Now, you’ve got to integrate it into the world. And by “integrate”, I’m talking about more than just dropping a dragon into a scene. That isn’t integration, that’s just an illustration. “Integration” is showing how the world lives with, reacts to, is affected by, and influenced by the dragon. Maybe dragons are common place in your world and they blend into everyday life. Maybe there is only one in the world, and the myth of it is reflected throughout the world. Maybe your dragon is simply symbolic and you have to show it’s influence and integration in novel ways.


The more innovative and interesting you make your execution will affect the judging...Also, do not feel you are limited to a fantasy setting. Feel free to go off the reservation and find your dragon in any genre, time, world, or setting. This could make for some interesting editorial or book cover ideas – where you step out of the known and normal."

End Quote

While I wish I could have had time to work up a few pages for the Dragon World comic idea I initially came up with...I just don't...client projects took priority. But, I have two other ideas I've chosen out of my initial rough sketches that I'm developing further. One fits squarely in the "Book Cover Adult" or BCA category.  And the other should fit in the "Book Cover Children's" or BCC category...something that might one day be the cover for a story under consideration in "The Andre Norton Award for Young Adult Science Fiction and Fantasy"....gotta dream big and work hard! :)

In any case, this sketch was the final rough version that I have since been developing further for the BCA category...and I'll post progress images for that in a later post:


Read more about the Dragon World ArtOrder Challenge, categories, rules and submission requirements as well as other art in progress by going to the AO site, here:
http://theartorder.com/dragon-world-artorder-challenge/

2/12/2013

The Cover Reveal




The mention of “cover reveal” is often an exciting time for writers, illustrators or readers – we’re offered a chance to celebrate with the author; whether it’s their first book as a published writer or the next book of an established series or the new stand-alone novel by a favorite story teller. It’s also an opportunity to catch a glimpse of an artist’s interpretation of a favorite character or characters, maybe in an exciting moment captured in the art that hints at a page-turning scene in the story, or a designer’s motif that symbolizes a key element carried throughout.

And then, think about how many times you've been in a discussion about a new book or maybe even an old favorite book and said, “I can’t remember the title or the author, but it’s the book with the picture of “(Fill-in-the-Blank)” on the eye-catching cover?”

My question for discussion of this post is –-

Why aren’t the illustrators and designers also credited in the “cover reveal” posts, especially when that reveal is done by the author, publisher or reviewer?

We know that the writer has invested time and effort in creating a wonderful story to share with their readers. The cover artists and designers who created the cover for the book have also invested their time and creativity to package that story in an engaging way that ideally shares the writer’s vision of the story…and will also help sell the book to its target audience.

And yet a majority of those articles whether on blogs, Facebook, Tmblr, Twitter and forum discussion threads don’t credit the artist, illustrator and/or designers that created that beautiful, intriguing, hopefully eye-catching cover that grabs the potential buyer to check out the book.

Why not?

Here's an example of one of the few “cover reveal” posts I found that actually does credit the artist/designer in an excellent fashion, mentioning author, publisher and cover designer: 

Quote: Today I have the cover for WEATHER WITCH by Shannon Delaney!! It’s hitting shelves this summer, June 25, 2013 from St. Martin’s Griffin! And it’s STEAMPUNK!!! YAY!

Here’s what Shannon had to say about the cover:
“This cover is another example of the lovely work of designer Ervin Serrano of St. Martin’s Press. I’ve had the pleasure of seeing Ervin do beautiful covers throughout the course of the 13 to Life series and was excited to know I get to keep him for this steampunk trilogy! He’s wonderful to work with and great at bringing my vision to the public!”  End quote.

The artist, whether acting as illustrator or designer (or maybe both), can also be a partner for the author and publisher that broadens their reach to more potential readers of the book, increasing traffic to the “cover reveal” posts for reviewers and authors, as well as garnering interest from genre fans who appreciate the art whether it’s on a book cover, a card, or poster print; and, in fact, those fans might consider reading or recommending the book themselves because it was done by an artist as well as author they admire or follow.

From an interview by Joseph Mallozzi on July 25, 2008 with award winning artist/illustrator/designer John Picacio discussing cover art and design credit:

Do you think cover art is as appreciated as it should be?

“I think that depends on who you want to have appreciate it, and what you want it appreciated for. I think it’s maybe appreciated more than ever by genre collectors and fans. There’s been a growing number of cyber-discussions about cover art in recent months, and that’s a very good thing. I hope readers and professionals continue to exchange views about it because that will only raise the bar for the better.

On the publishing side, there was a time when cover illustrators weren’t even CREDITED with their work, which is absurd.

Today, cover illustrators generally are at least credited for their work, whereas I find that a lot of the pre-90’s paperbacks and novels sometimes didn’t print the credit, and that was especially the case with pre-1970’s books.

I think knowing who created the art helps foster an appreciation (and a marketplace) for the art itself in professional sf/fantasy work.”

So why is it so difficult to credit the artists, designers and illustrators for these book covers...whether it’s for children’s MG books, YA books, sf/fantasy or some other genre?

When the article by The Atlantic Wire 25 OF THE MOST WONDERFUL BOOK COVERS OF THE YEAR  was posted, many of the “most wonderful book covers” were not credited with the artists, illustrators or designers.   

Surprisingly so, when the title of the article states clearly and quite directly that it is all about the designs – not the stories, not the authors.

That being said, the article was later updated that same day with all of the proper credits not only because the information was easily available, but also because many of the commentors of the article pointed that out:

“… If the whole point of the article is to highlight visual design, it seems incongruous for the accompanied information to consist entirely of the author, title, and plot summary. I'd love to see the names of the designers, illustrators, artists, and photographers, with links to their sites!“

And so did an open letter by artist/illustrator/designer Marc Scheff, that was signed by various illustrators (myself included), and artists, art directors, designers and fans from the Facebook community:

"Your recent article, titled, "25 of the Most Wonderful Book Covers of the Year," celebrates the work of designers, artists, and illustrators (in some cases, all three) yet you and Jen failed to credit a single one of the image creators, save the ones whose names were actually printed on the cover. This is not only poor journalistic practice, it is probably a licensing breach to the owner of the image, the artist.


In my own research on the books you list (see below), I found authors who featured the book covers with great fanfare on their own site, with no mention of the artist. Frankly, I just don't understand how that even makes sense, never mind that it is not allowed. If you credit the artist, the artist will likely promote your piece, bringing more eyes and subscribers to your work. By crediting them, you harness the power of their social networks, and you missed out on that online traffic by a factor of 25….”

So as part of your next exciting event called the COVER REVEAL, why not in the future include credit for the illustrators and designers responsible? 

Cover image and design by me, Tanja Wooten.
------------------------------------------------------------------

Read more of the WEATHER WITCH cover reveal post here:
http://www.thestorysiren.com/2012/11/cover-reveal-weather-witch-by-shannon-delaney.html


Read more of John’s interview here:
http://josephmallozzi.wordpress.com/2008/07/25/july-25-2008-with-special-guest-award-winning-artistillustratordesigner-john-picacio/


Read “25 OF THE MOST WONDERFUL BOOK COVERS…” here:
http://www.theatlanticwire.com/entertainment/2012/11/25-most-wonderful-book-covers-year/59428/


Read the open letter addressed to The Atlantic Wire by Marc Scheff, here: https://www.facebook.com/marcscheffillustration/posts/10151267056773376


2/05/2013

Home on the Range

Early sketch for a middle grade sci-fi story.  This is a crop of the larger illustration, focusing on the main character here.  The final illustration is in-progress. 

1/31/2013

Old Knight


My panel of an old knight is getting a slight update as I go to final pencils.  This comic short story (fairy tale) is one of a few personal projects for 2013.

1/21/2013

Dragon's Perch


My first dragon post for 2013! The illustration was developed from a warm-up sketch originally created late summer 2012 (posted below).  The dragon didn't change much from its original design, but I did change the pose of the girl and altered her costume as well, from fabric to style.  The background was inspired by a photo I took at the Dallas Arboretum about 10 years ago (at bottom).
 

 

1/09/2013

Something in Progress


The above banner is one of the directions I'm considering for my portfolio 2013 redesign.  This year I'd like to focus less on product design (although I still do some of that) and more on illustration, particularly for fantasy, sci-fi and children's books.  Also, comic book art...want to do more of it. :)

1/04/2013

Winter Greetings: work-in-progress


A small unfinished hedgehog character from an illustration set in progress.  As are many of my illustrations, this one started out as a pencil drawing that I am now digitally painting in Photoshop.

1/02/2013

My 2013 New Year's Resolutions...sort of




Happy New Year!

Keeping busy, which is good; but I've also been rather neglecting my blog
, which isn't good. Admittedly, most of the projects I've been working on are work-related rather than personal creative study, so can't post those as of yet...the frequent truth of a professional illustrator.  But that can be (hopefully) resolved by keeping my blog posts as part of this year's task list....

Or that's the plan. :) 

So here are my New Year's resolutions...actually, more of a project list...of my creative intentions for 2013:

-- update the portfolio with new art (!)
-- weekly blog and FB page posting of personal work (in-progress and/or finished)
-- submit art for Spectrum 20
-- create 10 traditional fantasy paintings; taking various concepts I've created to final paintings this year (if I can do more, even better)
-- develop fantasy illustration 12-month calendar to sell in Etsy shop (available November 2013)
-- illustration prints and a few original paintings for sale in Etsy shop
-- finish custom painting of Disney figurines project
-- product design concepts (licensed art series)
 
I am also involved in a few projects at the moment that will be subbed traditionally this year, or will be available digitally, or possibly both:

-- picture book (artist, but not writer)
-- picture book (artist and writer)
-- comic book 4 issue mini-series (artist and adapter); official announcement of this project will probably be in February with a few sneak peeks at that time
-- YA graphic novel (artist and writer)

My "plan-to-work-on-this-year" projects include:

-- a new middle-grade graphic novel (draft script and concepts)
-- 2 new picture book dummies (outlines already in progress)
-- YA graphic novel adaption (ongoing project)

The above does not include other prospective projects that I've been queried about, so I may be making additional announcements about those later on during the year.  And, of course, I'll be on the lookout for paying projects by prospective clients; whether for self-publishing, traditional publishing, licensed art development, comic books, or private commission. 

Gotta add a quick disclaimer here: no Work-for-Hire (WFH) projects!

Attending conferences last year was an amazing experience, but I'm not positive I'll be doing so again in 2013.  If I do attend any, these are the ones I'm currently thinking about:

-- New York Comic-con
-- Spectrum Fantastic Art Live
-- IlluxCon
-- SCBWI Austin regional
-- Austin Comic-con

So, that's what I've got for the start of 2013 -- what are your resolutions or project thoughts for this new year?

9/29/2012

Womanthology: Space #1



One of my cool summer projects this year: working as comic book artist for the anthology “Womanthology: Space” issue #1 through IDW Publishing.  I partnered with writer Sandy King Carpenter on her story “Dead Again".  It was just released on September 19, 2012.

There is some preview material from issue #1, here:
http://www.comicsalliance.com/2012/09/19/womanthology-space-1-preview-ming-doyle-stephanie-hans-jordie-bellaire/


Quote:
The preview material...includes excerpts from "Waiting for Mr. Roboto" by Bonnie Burton and Jessica Hickman, which depicts the life of a bored space-waitress; "Dead Again" by Sandy King Carpenter with Tanja Wooten, which is a kind of ghost story in space; and "Scaling Heaven" by Stephanie Hans and Alison Ross, a speculative piece about a race to put the first woman on the moon. Not included but available in the issue is an exceptionally cute story by Ming Doyle and Jordie Bellaire called "The Adventures of Princess Plutonia," which puts a fun spin on the John Carter/Adam Strange trope, as well as the first installment of "Space Girls," a recurring humor strip by Stacie Ponder that imagines an all-woman crew of Star Trekkian-style spaceship that's actually my favorite bit of this ambitious new release. All stories (except Ponder's strip) are lettered by Rachel Deering.


This project was something different for me, a ghost story set in space; but I definitely enjoyed the challenge and gained some valuable comic book development experience once again.  This was my second contribution as a comic book artist and I plan on having more opportunities if at all possible...whether I work with another writer again, adapt a story for a graphic novel...or write and illustrate one myself. :)




Here are a few reviews for W:S issue #1:
http://www.comicbastards.com/homepage/2012/9/19/review-womanthology-space-1.html
http://www.readaboutcomics.com/2012/09/19/womanthology-space-1/
http://www.primaryignition.com/2012/09/20/first-impressions-womanthology-space-1/

Below is one of the early concept sketches I did based on Sandy’s initial thoughts about the story.  I posted some of the original pencils over on my Facebook page here as well: https://www.facebook.com/TanjaWootenIllustration


5/27/2012

Year of the Dragon


In keeping with 2012 being the Year of the Dragon, I created this illustration as one of several dragon-ish projects.  The digital painting is above, with a crop of the original pencil sketch below.

4/20/2012

Where Wolf?

"There wolf!" 

Did a quick werewolf concept illustration today that still needs just a bit of fine-tuning before I consider it final.  Below are some progress images as I created the werewolf concept, from initial pencil sketch to almost final color in Photoshop.



4/16/2012

Baby Unicorn


A quick sketch yesterday of a baby unicorn which I then colored in Photoshop, inspired after seeing photos last week of various baby goats (kids) and horses (foals and fillies) posted on a couple of Facebook pages that I follow.

It's similar in style to the "pin-up" illustration that I did for the artists' gallery in the soon to be published Deluxe Version of the graphic novel "The Last Unicorn" coming out in May 2012 (per Amazon).

The baby unicorn I've done will be one of several traditional watercolor illustrations I'll be creating over the summer. I'll be launching my new Etsy shop in the Fall with assorted prints and original fantasy artwork available for sale at that time. If there are particular creatures or characters you'd be interested in seeing or buying, let me know! I'll be setting up a commission schedule soon as well. :)

4/11/2012

Spring Things

As usual in my self-employed illustrator universe, various projects are in development and in various stages, so here is a bit of what I'm working on lately:

- concept art for custom painting of Disney figurines
- product design concepts for Holiday 2013
- assorted traditional watercolor fantasy illustrations (personal work)
- assorted digital fantasy illustrations
- picture book dummy proposal (author/illustrator)
- artist for an urban Fairy Tale adaptation graphic novel proposal
- writer/artist of my own YA fantasy graphic novel proposal

And, just officially announced -- Womanthology: Space!


Yes, I'm dancing with extreme happiness over that...! :)


1/30/2012

Creating Cameos

Last summer I volunteered for what turned out to be artist Renae De Liz's most excellent Womanthology comic book project. By contributing, I hoped to gain some practical experience as a comic book artist (a long-time dream of mine), while at the same time create art for a great cause. It turned out to be so much more than that!

Cameos
One of my creative tasks for the
Womanthology: Heroic project was doing cameos of a few of the Kickstarter contributors. My writing partner, Kimberly Komatsu, wrote the script to a wonderful short story called "The Aviator and the Elephant". It had multiple characters which meant I could do more than one cameo.

I ended up doing six.

In order to capture the individual look of each of the contributors, I did a variety of sketches for each subject using the photo(s) they submitted, and then did some more sketches of them in character and in costume in the same poses (or close to) for the story panels. Some of the cameos were in two panels, but most were in only one. Here are some of the preliminary panel thumbnails and sketches I did for the cameos:






After all of that, I did final pencils of each of the cameo panels along with the other panels for each page. Here those are, in no particular order and without text (FYI, there were 4 pages for the story with a total of 35 panels):






And then I scanned the final pencils, patched them together and inked/colored/painted the pages digitally in Photoshop. Here are the final color panels of the cameos (again, without text):






More about my interesting, always fun and challenging experiences, and what I learned about creating comics while working on Womanthology in a later post. :)

4/29/2011

Eowyn and Nazgûl sketchings

Over on the ArtOrder blog, a new art challenge:
review the scene (of Eowyn fighting the Nazgul) in the book, and create your own interpretation of that scene.


I managed to pick up a copy of the LoTR trilogy at the nearby used bookstore and did a bit of re-reading of various scenes to tweak my memory last week. And during this week's storms, tornadoes and power outages, I came up with a bunch of possibilities with my little thumbnail sketches, some of which I posted below. I started with various abstract shapes to explore layouts, and then added a bit of gestural figures in the next stage of my thumbnail sketches. I've posted one of the three scenes I'm developing further at the top; I still haven't firmly decided which of my favorites to go final and color.

You can see many more entries, sketches and color versions in progress from other artists from digital to traditional over on the ArtOrder forums, here.

My intention is to do a watercolour version of the final scene I select, with some minor digital enhancements as necessary.
The project is due on May 15th...


4/17/2011

A Tale of Two Dragons: work in progress

Two dragons, but with two different art briefs: one is for middle grade and the other is for adult. But both illustrations introduce the main characters of the story, and provide a hint of the setting of the story worlds.

I've posted one of the initial rough sketches and layout I was most satisfied with before I started considering colors... The figure above is the image I posted in my Friday Faces page on Facebook as I began detailing more of the figure and costume.
More progress posts later during the week! :)

4/09/2011

Whimsical Imp

This week's Friday Faces was a quick color sketch of an imaginary creature. Initial rough was sketched with blue pencil, and the final was colored in Photoshop 7 using one of the basic brushes.

3/26/2011

First Day

This one started out as a Friday Faces random sketch, but I really like the narrative that's going on here so I'll be taking this one further over the next few days. Exploring, painting, adding in a background maybe, adding in some extra arms... :)

3/14/2011

The Hunter


I seem to be posting everywhere but my sketchblog lately; I'll have to remedy that.

Juggling projects as usual, but I also started up a new weekly sketch practice for myself to work on lighting, speed-painting, and other areas in my illustration artwork that I feel still "needs improvement". I'm calling it "Friday Faces" and plan on posting a new one of those images every week as I have been doing on my Facebook page.

The above image is a concept I did in Photoshop 7 last Friday.
A speed-painting practice sketch (for me any detailed illustration under 20 hours is really fast as opposed to product design concepts where I might do 3-10 a day or per week depending on complexity, etc.); took about 6 hours to do including research, sketching and coloring in PS.

12/29/2010

Winter in progress


This is a small section of a much larger illustration that I'm drawing at the moment. One of several versions of the rough layout is posted below. Seemed appropriate that this week's Illustration Friday topic was also "Winter" since that is the theme of this illustration as well. I intend to have a majority of the detailed pencil completed by this evening. This will be finished as a watercolor project rather than digital. :)